Shown a blank piece of paper, we have all been given the task of writing whatever we want down. Exactly that, whatever you want. Freedom can be in its own right a terrifying thing, having so much possibility that at times it can overwhelm you making you unsure of what you really want. This could be said for the audience A perfect metaphor of one Suicide Silence. Having now laid the ghost to rest of Mitch Lucker with their final You Can’t Stop Me, the band made the ballsy move of changing their entire make up. Having only heard two songs off the record, people were quick to judge but perhaps the freedom Suicide Silence have been given will in turn become what people actually wanted all along. This is our account of the brand new, self titled record.
Concept albums are fast becoming some of the hottest Metal property on the market. Often needing flamboyant dressage with details ranging from costumes with the way into props, the air of the theatrical is more than just a force to be reckoned with. Having toured the US extensively together last year, Fleshgod Apocalypse and Carach Angren being their haunting theatre to a more European of audiences but will Horror outweigh Drama?
Throughout cultural history the idea that we are not alone has been a fascinating one. Spanning years, aliens have always been a hot topic amongst fiction, even causing the public to believe a radio reading of War of The Worlds was real! Embedded into society’s culture, no doubt in aid to the likes of Ridley Scott and James Cameron, the overall idea is that aliens are probably not going to be very nice when we have an encounter of The Fourth Kind and now we get to know what they would all have on their stereos…
The band share their second song from Gods of Violence and its good. Very good.
Get ready for the return of the Death Metal demi gods.
On Day 11 of our Album of The Year Christmas Countdown, Sweden once again graced us with their presence with the brand new record from the Progressive stalwarts, Opeth.
“Because you’re worth it”, “Maybe it’s Maybeline” and of course the infamous “Beach Body Ready”. Living in the mass consumerist culture of the modern day people are intent on the idea of perfection. Shoehorning people into this dystopian ideal of perfection the theory creeps its way into the musical ideology. Aided and abetted by technology, music, particularly that of Metal has since devolved since the discovery of clinical machinery – ensuring this idea of perfection remains. Harbringers of this technological revolution, Meshuggah are pioneers of a sound exclusively married to perfection. Resolving to once again change the archetype Meshuggah return this year with The Violent Sleep Of Reason. Representing a paradigm shift in the genre the record was recorded entirely live. Bringing the idea of reality to their ideology of perfection, The Violent Sleep of Reason sees a band of perfect nature become imperfect for the first time.
It feels like we’ve been waiting an eternity for a new Dimmu Borgir album, but finally there looks like official signs of life as the band extend their deal with their current label Nuclear Blast.
Fortune favours the bold or so the saying goes. Unlike anything that has really come out of the Metal scene Fleshgod Apocalypse are masters of innovation. Taking an ambitious idea of moulding two polarising genres into a symbiosis of aweinspiring inventiveness. Arguably their most ambitious work conceptually as well as musically, King sees a milestone under the band’s already intimidating back catalogue. Their latest paradoxical combination of Death Metal and Classical makes for a beautiful, cinematic and absolutely enrapturing listen. We were lucky enough to be able to sit down with just one of the many maestros at the Fleshgod Apocalypse helm Tomasso Riccardi. Outlining the albums immediate concept as well as its tertiary metaphorical commentary on society, we uncover what King truly stands for and why it is one of the most daring musical compositions to come out of Death Metal yet.
Having been welcomed back to the Thrash Metal arena what seems like a lifetime ago with previous release Worship Music the silence will soon be broken to reveal the next stage in Anthrax’s plan. Back in November whilst on tour with Slayer we had the absolute delight of speaking with Joey Belladonna. Focusing primarily on brand new scintillating effort For All Kings, we spoke to the singer about what the recording process was like when creating the album. Giving a detailed account of what we can come to expect from a singing standpoint as well as what it was like incorporating new guitarist John Donais on the new record whilst also discuss classic Thrash origins and returns. Set to take the world by storm with For All Kings to be released in just two days time we welcome the new age of our five kings, this is Anthrax at their best.
Teasing that Fallujah will be releasing their brand new album this year we finally have concrete details surrounding the band’s forthcoming album.
Combining the cinematic within a Metal environment has always been a diligent task that many have undertaken and fallen short. Having deep rooted foundations in both genres of Classical and Death Metal, Fleshgod Apocalypse have teetered between the two combining both polarising categories to a slightly clumsy interplay, until now. Carving a conceptual niche with their previous album Labyrinth the band are no strangers to the classic story. Bringing the term Rock Opera to a tongue in cheek fruition the band have assembled together for the oeuvre that is King.