The UK's Most Dedicated Metal Blog
Despite it only being April, there have been some absolutely staggeringly good releases so far. I thought that it might be pertinent to show just what kind of calibre of releases we have been treated to in the first four months of the year and its an absolute white wash across the board of talent.
Releasing their brand new album Atonement back in February, Immolation have taken even more steps to becoming one of the most volatile Death Metal forces in the world.
Staying power is one of the few attributes that are put forward in the arena of Death Metal. Hardly the most accessible of sub genres, however when you do get into bed with the genre it’s hard to get out. Belligerently sticking around amid the nineties grunge movement, Death Metal is the exact embodiment of the extreme. Understanding this pushing of boundaries both in extremity and in a quest for the experimental, Immolation are one of the genres bleak beacons. Combining their dissonant arrangements where drums, bass and guitar seem to disagree until somehow coming to a resolute understanding. Having been a year since their last visit, Immolation make a special appearance this Good Friday at London’s Underworld.
Thrown around without a second thought in the world of Metal, Heavy, is quite possibly the most common form of praise. Yet what if there was actually a band that quantified not only for its colloquial meaning but for its defined one too. Waking from their troubled slumber, the obelisk that is Immolation has begun to stir. Combining elements of dissonance, the band’s obsidian riffs have paved the way for some of the most nefarious sounding melodies in Metal. Combining the trio of vocals, drums and strings Immolation not only create a racket but have moulded an iconic sound, a sound that is by every single definition Heavy.
Find out more about the brand new release Atonement.
And they’ve made the cover of Decibel.
This time the band address some of the mechanics behind the band.
And so the trailers begin!