The hardships of being a band are all too familiar a story in the world of Metal. Almost expected to bare the brunt of it, young bands find it incredibly hard not only to to tour but to actually be able to make a living in the modern day. Making the idea of “breaking through” an ideal that can sometimes not even be a possibility. Thinking laterally, one Tim Charles of Ne Obliviscaris may have the answer all bands are searching for. Hailing from Australia and on the indie label Season of Mist the band were suffering the financial woes of being a band in 2016 / 2017. Launching the idea of Patreon, Charles thought up the idea of a true engagement with fans. Understanding their needs and the band’s both parties work together in ensuring both coexist peacefully. However before that the band have returned from their most recent of travels.
Releasing their brand new album Atonement back in February, Immolation have taken even more steps to becoming one of the most volatile Death Metal forces in the world.
Releasing their absolutely astounding new record Heartless in February, Pallbearer have run the gamut for album of the year. Expanding on their already wonderous horizons, the soundscapes of Heartless recall a nod to the classic era of the seventies but why do people forever associate Pallbearer with Doom and not Prog?
Having released their controversial self titled record, Suicide Silence have begun a bold new chapter in their story. After a short run of American shows for the album’s release the band headed over to the U.K. for their first tour featuring new material.
For those who might not know, I have launched my own YouTube page discussing all sorts of things in the Metal world over on TheMetalTris. Debuting five brand new videos one of which we caught from having a chat with Kreator’s very own Sami Yli-Sirniö!
Conversation, the metaphorical rally between two players, what ideas stem from be they good or bad. Enabling the flow of thinking it is an invaluable tool and one which is quickly becoming an afterthought. Walking around in the modern day, the ability to have a conversation is somewhat of a novelty. So engrossed in their own portrayal in this cyberworld we call the Internet, they are beginning to miss the world itself around them. Ranging from pictures and videos, people would rather isolate themselves, together in proximity yet entirely separate on their phones. Inflating the idea of nonexistence and non consequential remarks online, there has been more evidence of cyber bullying being on the rise. Giving rise to the faceless and ultimately giving bullies the perfect tool to use at their whim. Statistics show :
Doing the double shift at this year’s Bloodstock, following an appearance earlier in the day with Vallenfyre, new Paradise Lost drummer Waltteri Väyrynen treated fans of the festival to the premier Doom grooves that the band are known for. Hardly performing in Europe this year, the band make the most of their performance at this years Bloodstock. Speaking to the drummer we pondered how the man fit in with the band dynamic. Being friends and bandmates with Greg Mackintosh, there lies and understanding present but how does this translate in one of the biggest doom bands in the world?
A lot can happen in ten years. Celebrating their decennium this year, Whitechapel commemorate the moment with their brand new ripper Mark Of The Blade. With subject matter ranging from personal issues to the more inclusive fierce fan base the band have developed. Regardless of whatever genre you might be in, to be carrying on for ten years deserves a pat on the back. However Whitechapel are special kind of entity, one that has since grown with each release. Pushing their sound forward, whilst remaining the same. Getting flack for the incorporation of (shock horror) clean vocals on their latest album, it seems that these are just minor issues that fans will of course get their heads around. Catching the band on their Never Say Die headline run of shows we were able to speak to guitarist Ben Savage about just what Mark of The Blade means to the band and of course their fans.
Death Metal, a life force in the musical spectrum whose fans aren’t quite like any other. Led by devotion Metal is by and far the most loyal of genres, formed of various different subcultures and genres the Metal ideology has been cultivated far and wide. Moving over not only cities but continents themselves to become a worldwide phenomenon. Known for their addition of Sepultura and Angra to name a few, Brazil has also quietly been keeping the Death Metal fire alive with Krisiun. Celebrating their twenty five years together last year the band released their return Forged In Fury. Meant as a testament to the everlasting spirit of Death Metal and its ideologies we caught up with Moyses Kolesne on their UK stint of their tour with Dark Funeral to find out a little more about the band and their ethos.
Music is an interesting thing, at times relatable at times totally opposite from what you might deem the norm. Able to inspire countless debates the world over simply by talking about music itself. Returning this year, Stuck Mojo released their brand new album Here Come The Infidels. Performing at this year’s Bloodstock among other festivals the band were able to treat their British fans to some of that Georgian Rap Metal. Speaking with drummer Frank Fontsere we were able to deduce what life in both Fozzy and Stuck Mojo is like and getting back to the plain and simple days of music for enjoyment.
Creating somewhat of a notoriety among the Death Metal scene in the US, Rivers of Nihil are fast becoming a leading band in the revolution of modern Death Metal. A revitalised sound, each album is anchored in the hallmarks of the Death Metal charm, yet with their latest album, 2015’s Monarchy Progressive elements have begun to infiltrate the band’s sound. On their first ever European tour, we were lucky enough to be able to speak to Rivers of Nihil guitarist Brody Uttley. Though you would imagine both western territories of Europe and the US would be similar each is a very different ordeal. Frought with new challenges on the road we spoke about everything from David Bowie to the four songs the band have written for their brand new album and the importance of the seasons in Rivers of Nihil’s thematic tapestry.
Combining both the fictional with the scientific has been the staple of the make up of some of our best fiction. Used perhaps as a means of escape from the mundane routine of daily life, there is a certain quality that attracts people to the idea of Sci-Fi. Not wanting to remain solely in the medium of film, Metal in particular has welcomed this subgenre with open arms. Releasing their brand new album Terminal Redux this May, Vektor are among the very select few who have mastered not only the art of the synthesis of a hugely charged concept with some of the most inspired music that will take you on a journey like no other this year. Performing at this year’s Bloodstock Festival we were able to speak with singer and guitarist David DiSanto to show us his wonderful world of Cygnus.