Prehistoric in their art, the Florida swamp stompers are the fathers of Death Metal. Pounding their way onto the scene in the heyday of the nineties, subtlety has never been their strong point. Returning in 2014 with the gore drenched Inked In Blood, Obituary enter the fold once more to deliver their tenth studio album, simply titled Obituary.
Of all the genres in the Metal universe the most caustic surely has to be Grindcore. Bred to be one of the most aurally assaulting sounds we can associate with music, The Drip are no strangers to extremities. Jumping off the deep end after their EP releases the band saved some of the heaviest material for last.
Traditional values are something that have been revered as much as they have been questioned. With its bedrock being the emergence of the early nineties movement of Mayhem, Burzum, Black Metal is one of the most steadfast in the genres of Metal. However as the years have gone by there have been some chinks appear within its seemingly impenetrable armour. Enabling more experimentation, you could argue a new wave of Black Metal was initiated. Allowing for grander songs, far reaching soundscapes with sprawling melodies. Advocates of this new progression in Black Metal are one Black Anvil. Releasing their Relapse debut Hail Death in 2014, elements of the genre were not only expanded but questioned and now the band return with their latest flurry of questions for this most studious of masterminds with As Was.
Watching football fans truly is a marvel, seeing spectators screaming at the players telling them what they ought to do, though what would it be like to put a spectator on the pitch?