Mainstays in the Progressive category, Pain of Salvation have been somewhat absent from the Prog arena for a while, however 2017 has broken their temporary silence with the release of their brand new album In The Passing Light of Day. As with almost Pain of Salvation records, there lies a concept. Particularly close to home, the new album aims to convey the emotions that are allied with the idea of acceptance of your own mortality.
In The Passing Light Of A Wednesday – Pain Of Salvation’s London Triumph
Realisation can be an incredibly powerful tool. Often seen as a double edged sword, the understanding can be incredibly positive yet also detrimental. The fragility of life itself is often something humans forget, with work goals and all sorts of small picture ideals clouding our judgement to what truly matters. Thinking it was nothing, Pain of Salvation‘s Daniel Gildenlöw was brought to the hospital to be told he had contracted a flesh eating virus. In an instant, current ideas began to pale into comparison when faced with his own mortality. Triumphing over adversity Gildenlöw bested the virus. Pooling his creative energies into the long standing Pain of Salvation, the band have delivered one of the most honest and truly heartfelt records in recent years. Bringing their In The Passing Light Of Day tour to London, the band begin their triumphant new chapter at Islington’s Assembly Halls.
Album Review : Pain Of Salvation – In The Passing Light Of Day
Giving a renewed sense of life, death can be one of the most unforgiving teachers in life. Educating both mind and body in not taking what we are given for granted. Being diagnosed with a flesh eating bacteria, Pain of Salvation‘s Daniel Gildenlöw recently had a brush with that most callous of entities. Surviving the ordeal the man and band have returned to deliver In The Passing Light of Day. Fueled by resolve from Gildenlöw’s experience the record is a self affirmation of identity.