We review something a little different today – the new album of controversially placed Chunk! No, Captain Chunk…
Album Review : Coal Chamber – Rivals
Our verdict on Coal Chamber’s first album in 12 years is in…
Album Review : Entrails – Obliteration
See our verdict on Entrails new album…
Album Review : Veil Of Maya – Matriarch
We check out Veil of Maya’s new opus after a longer break, and a brand new vocalist…
Album Review: Sirenia – The Seventh Life Path
We review Sirenia’s first album since returning to their original record label Napalm Records.
Album Review : Six Feet Under – Crypt Of The Devil
Imagine if you will a man, disfigured in an accident who seeks to rebuild himself. Though the only means is by incorporating bionic sections of his body. Now ask yourself this, how much of him remains human in the end process?
Album Review: Kamelot – Haven
Kamelot are one of those bands that just don’t seem to set a foot wrong. Even in the face of adversity with a massive line-up change between acclaimed vocalists, Thomas Youngblood & Co keep churning out some massive albums. With the predecessor ‘Silverthorn‘ being a masterwork in itself, it’s hard to see how its successor could follow up. But here, after a long anticipated 3 years, we have Kamelot’s new opus, ‘Haven‘, receiving the analysis to see how it weighs up in Kamelot’s legendary back-catalogue.
Album Review: Korpiklaani – Noita
The first thing that any Korpiklaani fan would notice about the release of ‘Noita‘, is that this is the longest time between album releases that has ever passed for the Finnish folk metallers. A lot of people would argue, including myself that this could be a very good thing, as it gives the band some time to refresh, recharge and bring back some creative sparks. For Korpiklaani the band have traditionally opted to release albums almost a year after each other, sometimes even less and as fun as the band are – there seemed to be a developing staleness with creativity just appearing to run out. However now Korpiklaani have left 3 years since the release of ‘Manala‘, touring in between and gaining legions of new fans with their unique brand of folk metal, and now have their new opus ‘Noita‘ to offer. Has the extended down time paid off for the sake of the music?