I’m sure you’ve hear some of them before!
Once again we delve into the world of YouTube to give you a video review of Darkest Hour’s absolutely genius new album Godless Prophets & The Migrant Flora.
Prehistoric in their art, the Florida swamp stompers are the fathers of Death Metal. Pounding their way onto the scene in the heyday of the nineties, subtlety has never been their strong point. Returning in 2014 with the gore drenched Inked In Blood, Obituary enter the fold once more to deliver their tenth studio album, simply titled Obituary.
With terror being rife throughout the world, bands are increasing their reaction to the worlds current events. Ranging from all sorts of formats, one well rehearsed in the ways of battle are the German leaders st the vanguard of Thrash Kreator. Having returned after their five year material absence, the band have reasserted themselves firmly at the top of the second wave of Thrash Metal table. However it would seem that not only Kreator are born anew, as Brazilian counterparts Sepultura also unveiled their latest semi political statement Machine Messiah. Teaming up along with some help from both Soilwork and Aborted, the four band would match over Europe in a defiant conquering of venues far and wide. This time their march was headed toward Kentish Town’s Forum.
Orienteering, aside from being incredibly boring, is also incredibly hard. For those who aren’t Bear Grylls reading the signs of the setting sun in the west, drinking urine and checking compasses really won’t do! Similarly at times the listener can get lost, particularly in the treacherous environment of Prog. Banding together to deliver something entirely different we welcome Nova Collective, our metaphorical compasses to help guide us through the labyrinthine layers of Prog.
Recently it was announced that heavy weights Slayer and Lamb of God will be embarking on a tour together, revealing that their support act would be Behemoth, a band who are now scarcely a support act. Nevertheless it got us thinking, Behemoth totally deserve it and here’s why.
Shown a blank piece of paper, we have all been given the task of writing whatever we want down. Exactly that, whatever you want. Freedom can be in its own right a terrifying thing, having so much possibility that at times it can overwhelm you making you unsure of what you really want. This could be said for the audience A perfect metaphor of one Suicide Silence. Having now laid the ghost to rest of Mitch Lucker with their final You Can’t Stop Me, the band made the ballsy move of changing their entire make up. Having only heard two songs off the record, people were quick to judge but perhaps the freedom Suicide Silence have been given will in turn become what people actually wanted all along. This is our account of the brand new, self titled record.
Thrown around without a second thought in the world of Metal, Heavy, is quite possibly the most common form of praise. Yet what if there was actually a band that quantified not only for its colloquial meaning but for its defined one too. Waking from their troubled slumber, the obelisk that is Immolation has begun to stir. Combining elements of dissonance, the band’s obsidian riffs have paved the way for some of the most nefarious sounding melodies in Metal. Combining the trio of vocals, drums and strings Immolation not only create a racket but have moulded an iconic sound, a sound that is by every single definition Heavy.
In the government cover up age that we live in, it seems the likelihood of us being erased as a species is ever more likely. With all of us living in the constant fear that there could we be World War III we try to distract ourselves with whatever we might have to hand but not all of us! Releasing their debut last year Do Nothing Til You Hear From Me, The Mute Gods gave a voice to the voiceless. Comprised of drummer Marco Minnemann, guitarist Roger King and bass master extraordinaire Nick Beggs, we’re invited to delve even deeper into the socio economical revolutionary wormhole in tardigrades will inherit the earth. Hold onto your tin foil hats!
For those who may not be familiar with Body Count, the band are brainchild of one Tracey Lauren Marrow aka Ice-T. Despite being a successful rapper, the man is a self confessed Metalhead. Growing up with the Death Metal anthems from Cannibal Corpse and many others. Having established well trodden path in the way of Rap and Hip-Hop, Ice-T, not one for the easy way out devised Body Count.
Always going to be mainstays in the Metal world, the likes of Slayer, Metallica et al will forever be immortalised but as we move further into the future, with more and more bands emerging there seems to be a new wave of influence sweeping the nation. Fixing themselves on Metalcore deities both Trivium and Killswitch Engage, two lads from London started a band in 2009. Hard to believe that they would then be opening for Anthrax for a solid month European tour and releasing their debut album on BMG some eight years later! Ladies and gentlemen, we introduce to you The Raven Age.
London born the quintet, perform in their words Melodic Metal. Referencing all manner of elements from life and all it’s tribulations.
For those who might not know, I have launched my own YouTube page discussing all sorts of things in the Metal world over on TheMetalTris. Debuting five brand new videos one of which we caught from having a chat with Kreator’s very own Sami Yli-Sirniö!
As the pioneers and grandfathers of the visual kei scene in Japan, it has been my life’s mission to see the country’s biggest band live in concert. They are super-talented musicians and put out remarkable visual displays in the live arena, but what I found at their one-off Wembley show was so much more than expected…
Changing scenery, tonight we forgo the smog of London for a trip to the Welsh countryside. Normally a hall for all sorts of occasions from ballet to recitals, tonight William Aston Hall has been modified for Rock ‘n’ Roll. Currently on their Heavy Fire tour, Black Star Riders shall be tonight’s curators. Cue the crowds coming out, slicked back (greying) hair, just a touch of booze and that true spirit of Rock ‘n’ Roll.
As Bob Dylan has quoted and we heard in the absolutely brilliant “Watchmen” “The times they are a’ changin’”. Remembering ten years ago when I was a fledgling Metal head, a small band from Florida would release in hindsight, one of my favourite teenage records. The Metalcore compendium that was Ascendancy saw all manner of doors open for me into the Metal world. In the same year of discovering Opeth, Trivium had a soft spot in my heart.
Young blood have proven time and time again their aptitude for reinventing the wheel. With their ear to the ground the young guns are able to not only draw from their influences of old but look towards what might be a different perspective of the future. Enter Power Trip, having only released one album Manifest Decimation. Catching my eye owing to Paolo Girardi instantly recognisable grim tapestry of turmoil the record was not one to be ignored. Now the band embark on their new wave of Proto Thrash for Nightmare Logic.
The idea of dualism in human nature is one as old as time itself. The concept of the ying and the yang, without one, you cannot understand the other. Once more returning back from the undead studio Six Feet Under unleash their study in the art of balance, Torment.
Conversation, the metaphorical rally between two players, what ideas stem from be they good or bad. Enabling the flow of thinking it is an invaluable tool and one which is quickly becoming an afterthought. Walking around in the modern day, the ability to have a conversation is somewhat of a novelty. So engrossed in their own portrayal in this cyberworld we call the Internet, they are beginning to miss the world itself around them. Ranging from pictures and videos, people would rather isolate themselves, together in proximity yet entirely separate on their phones. Inflating the idea of nonexistence and non consequential remarks online, there has been more evidence of cyber bullying being on the rise. Giving rise to the faceless and ultimately giving bullies the perfect tool to use at their whim. Statistics show :
Earlier today Tech Fest announced its second wave of bands. Already being headlined by The Black Dahlia Murder there have been more rumblings in the Death Metal undergrowth.
Music truly is something that disregards any form of identity. Having well and truly made a name for himself in the Polish, forgive the pun, Behemoth, Adam Darski more commonly known as Nergal has influences ranging far beyond that of Black Metal and Death Metal. Welcoming a different approach with the inclusion of one John Porter we introduce you to Me And That Man.
Ferocity can also have its delicacy. Crafting one of the most ferocious albums of not only 2014 but potentially the last ten years, Behemoth returned with the vital The Satanist. Somewhat camouflaged as they might have been the record showed hints at a softer side of our frontman. Where what we you see on stage is a persona of venom and fervour, there of course cannot be one without the other. Exploring his alter ego with compadre Josh Porter the two came up with the idea to form Me And That Man, a meld of Country, Blues with Gothic tendencies.
It’s hard to believe Children of Bodom have been around for 20 years now. It seems like only yesterday when the monumental ‘Hatebreeder‘ was released, raising the bar for melodic death metal worldwide. Here they are in London again tonight making efforts to prove they are still the wild children as they were in 1997.
The status of legend is hard to come by, particularly in the modern music scene. Oversaturation has led to bands springing up left right and center and with us moving forward into the future the likes of the classic Slayer’s, Metallica’s et al will soon be taking their leave. Contesting this argument over many a pub chat, I have been championing Gojira on since I first saw their performance supporting Trivium in Hammersmith ten years ago and with every release the band have been growing not only in stature but in their musical development. After the death of their mother led them to scrap their entire workings of new material to completely remould their new album based around their experience, it has been one of my personal favourites of the last year. Fast forward one year on and after many supporting appearances in the UK the band have at long last returned to claim their throne in a headline show.
The first of many, many YouTube videos over at TheMetalTris, I recorded my thoughts on the brand new Havok album, Conformicide.
All things must come to an end. After 26 years the self-proclaimed ‘love metallers’ are calling it quits and invite you all to a grandiose send off.
Arguably the underdog of the scene, Darkest Hour are among the elite few whose melody is near faultless. Announcing a brand new album Godless Prophets & The Migrant Flora, we thought why not celebrate this brilliant band. Choosing five brilliant tracks and a new one, bare in mind keep your options open here. We haven’t gone for all out aggression, only old material and only one sound. Instead showing the multi faceted approach the band have on material and just what makes them one of the most underrated bands in Metal.
So there we have it! NASA have made a huge potentially life changing discovery in finding Trappist1 and seven earth like inhabitable planets. So naturally we thought, what would happen if you were to send Metal bands out to space and what Metal bands would be the spaciest? So we give you, Ten Metal Bands That Would Fit Perfectly On Trappist1!
Rebirth within a band can be somewhat of a mystery. Releasing arguably their most well received record of late, Trivium’s Silence In The Snow stood proudly as a new statement of the band’s intent. Featuring entirely clean singing the record was perhaps the band’s most accomplished example of songwriting to date. Soon to lay the album to rest as they begin their next phase of their career. Armed with new drummer Alex Bent the band embark on their final touring cycle as defiantly as it began with their intimidating headline performance at Bloodstock. As the cold chill is felt across London tonight it’s not from the February air but the imperialistic conquering that will happen over at Camden’s Roundhouse.
Supergroups can sometimes be very hit and miss. Often sounding like an amalgamation of their respective bands it’s a real pleasure when a group is able to form a sound entirely independent of their namesakes. Unlike the somewhat paint it by numbers seen by the likes of say, Killer Be Killed, who are by no means a bad band, the groil are simply quite predictable. Delegating each vocalist a task. In 2015 we saw the arrival of the latest supergroup in a more Death Metal outlook, Firespawn.
The archers have been unleashed. And it’s about damn time. The heavy metal Canadian quintet have had to wait some time to bring their presence to European shores despite their very fitting sound to the continent. It’s now almost mutually agreed they belong in this part of the world, and we catch up with the band to see just how they are going to expand their influence.